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Grateful Dead Live at Winterland Arena on 1974-10-19




Set 1

Mississippi Half Step, Me & My Uncle, Friend Of The Devil, Beat It On Down The Line, It Must Have Been The Roses, El Paso, Loose Lucy, Black Throated Wind, Scarlet Begonias, To Lay Me Down, Mama Tried, Eyes Of The World-> China Doll, Big River

Set 2

Phil & Ned*, Uncle John's Band, Big Railroad Blues, The Race is On, Tomorrow Is Forever, Mexicali Blues, Dire Wolf, Sugar Magnolia-> He's Gone-> Truckin'-> Caution (Do Not Stop on Tracks) Jam-> Drums-> Truckin'-> Black Peter, Sunshine Daydream, E: One More Saturday Night, E: U.S. Blues


Collection GratefulDead
Band/Artist Grateful Dead
Venue Winterland Arena
Location San Francisco, CA

Source SBD Reel > cass Recorded by the Immortal Owsley Stanley; cass > 24bit/88.2kHz WAV by Blackwood/Waddell; WAV (shnid 112531) > CD Wave (remove "dead air" and split tracks) > FLAC (24/88) by Tim Keeler
Taped by Bear
Transferred by Jamie Waddell;Jim Blackwood

Notes

This is a partial copy of BEAR's 10 19 74 reels. There are cuts and missing songs, but I am sure the community will enjoy the value of this share.
You are downloading tape side A and tape side B, as transferred by Jim Blackwood in 24 bit 88.2 kHz and presented by Jamie Waddell. Absolutely Untouched.

Much Love to You Know Who You Are and of course safe travels to BEAR as he begins his residency in the cosmos. May he alter his new home as much as his did his terrestrial one!

a **GEMS** Production www.shnflac.net March 15 2011

Reviews

Reviewer: Evan S. Hunt - - October 15, 2011
Subject: Always On The Lookout


I'm always on the lookout for one of these "Waddell Gems" even though this presentation is of a show I've auditioned numerous times -- an excellent excellent reproduction of an excellent show that I attended.

Bear (may he rest in peace) was a master at recording bands live and this is more evidence. Very thankful to have known the man a little. He taught me a lot about room setup, mike placement and setting recording levels. He was always willing to share his knowledge if a person expressed a true interest in learning.
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Matthew Vernon
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Loge Section 202 Row H Seat 23/6 Feet High)> Whirlwind Phantoms>Teac DA-P20>Sony TC-D5M,Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100; Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
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Source: Sony D6 Cassette Master>Sennheiser 441 Mics>Sony TC- We 325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac.